L-FRESH The LION Concert Review by Daniel Jaramillo

Over the years I’ve been to many of L-FRESH The LIONs a.k.a. Sukhdeep Singh concerts and his shows are always uplifting and packed with people ready to have a good time. The music is hip-hop that you can dance to but it also contains a message of growing up in Australia and resisting the labels that are put onto you. Living in Australia can be a privilege but also for many people there is an ongoing struggle to be treated as equals and to feel included rather than discriminated because of differences in cultural heritage, economic opportunities or religious beliefs. These are some of the issues in L-FRESHs music however he is also a guy who knows how to rock a crowd and entertain you with his skills on the mic and his back up band is always keeping a tight groove behind him with a highly energized hype MC in Mirrah. I attended L-FRESH The LIONs sold out show at the Newtown Social Club and this was my take on it.

The supporting acts of the show started with Sukhjit a Sikh

poet/story teller who made the audience laugh on several occasions as she told us several anecdotes from dealing with men who perceive her in a certain way to growing up in white Australia. As she was the only non musical act it was a good warm up to start exercising some dialogue with the audience and make everyone feel right at home which is exactly what she did.

The next act to arrive on the stage was renowned poet/hip hop artist Omar Musa. Musa’s performances are always passionate and come from a place of sticking up for the underdog and revealing uncomfortable truths. His set list mainly comprised of songs from his recent Dead Centre E.P which I found had some of Musa’s most cleverly thought out poetry to date, an example is on the song The Razers Edge where Musa says“They stroked Surveillance cameras between their legs”. Joining him on stage was Australian veteran MC Hau who performed alongside Musa on the last song of his set.

It was time for L-FRESH The LION to step on stage and Mirrah got the crowd all pumped and ready to party. L-FRESH was joined by his live band and performed new and old songs. There were some songs which L-FRESH had never performed before which revealed a more personal and vulnerable side to his songwriting.  His performances are always about making people feel hopeful and encouraged to make change in their personal lives and in the world at large. However it wasn’t all-serious as he also played songs which got me and the wrest of the crowd jumping and clapping their hands like Get Mine and 1 in a 100,000 always give the crowd something to get their bodies moving to. L-FRESH also gave tribute to his ancestors on the song Never Alone and gave special praise to his mother. He thanked the audience for their support and brought back Omar Musa and Sukhjit to the stage again with Hau and they all performed together before saying farewell. 

Music in Film and Television

by Daniel Jaramillo

Ever since MTV was brought to the masses music has been a visual medium as well as auditory. Movies have been made about great musicians and TV series have tried to re-create historic periods in music culture. Documentaries are also very useful in getting the real participants involved in discussing and arguing what happened historically and what it was like to be a participant. In 2016 music has been documented, gone to hollywood and arrived on HBO and Netflix.

Earlier this year the music documentary Soundbreaking was premiered on Channel 9 in Australia and on NBC in the U.S. Soundbreaking is an 8 part series that explores the art of popular music recordings. It starts by investigating the early records of the 60’s and 70 interviewing legendary producers such as George Martin (The Beatles’ Producer) and getting the opinions of music journalists and artists themselves. The series then proceeds to talk about the new innovative technologies used by musicians and music producers such as the synthesizer, the drum machine and what hybrids in music came as a result of these new technologies. There is also an entire episode on how sound and vision become one and finally it reveals how the digital age of downloading and streaming music overtook records, cassettes and CD’s. Soundbreaking is the first documentary to analyze popular music in a critical and historical way, which in my opinion no series has yet explored in so much detail. It also isn’t limited to one type of music genre as it brings the producers of Hip-Hop, Jazz, Funk, R’N’B, Rock, Pop and EDM to discuss and analyze the music that we all grew up on.

HBO is also responsible for premiering the series Vinyl, the first period drama about the music industry of New York in the year 1973. Martin Scorsese and Mick Jagger were the executive producers and with those two household names it was only natural that it was highly anticipated by many music fans. The series reveals just how corrupt the music industry was back in the 70’s but it also brings to light the birth of the punk movement in New York. The characters are full of flaws and that’s what makes them very real, from the head of American Century Records Richie Finestra to Kip Stevens the singer of the Nasty Bits (played by Mick Jaggers son, James Jagger) a punk band that has signed a deal with American Century. There are also cameo interpretations of rock stars of the time such as Robert Plant, Alice Cooper and David Bowie. After the series ended the critical reception was divided and HBO was originally planning to make a 2nd series but pulled the plug after some believed the series had not been a big enough success. Despite the negative reaction to Vinyl it still showed the willingness and desire to tell an audience about music culture from another period and showed that great bands live on after they are done.

When Hollywood tries to do biopics of legendary artists it usually is felt with disappointment in its portrayal and historical relevance yet some biopics have proven to gross very high such as last years box office hit Straight Outta Compton. However when you have a Hollywood actor who is willing to make a film about a musician he is a lifelong fan of and is willing to direct and fund the movie himself you know it is going to be authentic. Don Cheadle did just that with his portrayal of the late Miles Davis in the film Miles Ahead. The Davis’s family gave Cheadle the permission to make this film the way he envisioned it to be. It was not suppose to be a documentary about Miles Davis rather it was a fictional story with some real events in Davis’s professional and personal life. The movie has car chases, gun violence and drug-induced parties. Davis did indulge in cocaine in real life but the movie also shows us flashbacks of when miles was a young man with a suit and tie recording Kind of Blue. Miles Davis of the late 50’s and early 60’s is a very different musician to the mid 70’s and 80’s. By this later stage he had become a Jazz superstar and he was also experimenting with electric guitars and keyboards, being heavily influenced by Jimi Hendrix and James Brown. Another important character in the movie is a young music journalist by the name of Dave Braden played by Ewan McGregor who follows Davis around town and goes along to all his house parties providing he can lead Davis to where there is cocaine. Cheadle studied Davis very carefully and showed his temperament and character flaws but also his more vulnerable side and the love he had for his music. This film did get a worldwide release in movie theatres and film festivals and most critics including myself think it is one of Cheadle’s finest performances to date.

The last music show to come out this year is a brand new series that was premiered on Netflix called The Get Down. The series is all about Hip-Hop and Disco and takes place in 1977 in the Bronx - the birthplace of Hip-Hop. The main character is Ezekiel a young man who is an inspiring wordsmith and meets a young street man of the name Shaolin Fantastic who is an inspiring DJ; they both dream of starting their own hip-hop shows and crews. Ezekiel is also talented at school but is afraid to show off his talents in front of his classmates, it is his friends on the streets who introduce him to the underground parties where DJ’s such as Grandmaster Flash are scratching records and rocking crowds in abandoned buildings. The other main character is Mylene a young woman who has dreams of being the next Donna Summer but is not supported by her religious father who wants her to be a good Catholic girl and sing religious hymns. Mylene’s uncle Francisco ‘papa fuerte’ Cruz is a hustler and a political boss who has ties to New York’s big business firms and the owners of the major record labels. Francisco makes Mylenes dream come true by getting her Jackie Moreno (a big time disco producer) to record her in a professional studio and to help her get a hit record by his songwriting and signing her to a record label. Baz Luhrmann who is known for his musical films created the series spending over ten years developing the concept and executively producing The Get Down with the help of Nas who co-produced. The series also does a great job in showing us the Bronx in the late 70’s and how an entire youth culture was emerging in the cities corruption and crime. Will Smiths son Jaden Smith also makes an appearance as one of the graffiti artists and it is very apparent the series showcases the art of rhyming, scratching records, tagging on trains and tunnels and breakdancing crews. A second series is expected early next year and there is no reason why it won’t go ahead as this first 6 episodes series has been a success as a Netflix production.  

In conclusion the film and television industry has been trying to find new audiences to keep itself afloat. The success of long form television has made big time film directors like Martin Scorsese and Baz Luhrmann become interested in producing and creating television series. As with movies, actors are interested in playing real life characters that people know well and can relate to. Musicians are people that are fascinating for us because they inspire creativity and show us how to be individuals. Documentaries are also still great at educating us about any topical issue especially when it comes to historical events like the recording of a classic album or how artist’s ideas can change the world.  

Kamasi Washington and his band blow the house down.

By Daniel Jaramillo
 

In the world of contemporary Jazz the name Kamasi Washington has been mentioned in high praise. The young 34-year-old saxophonist distinguished himself a great deal by working as a session musician with heavyweight hip-hop artists and producers such as Kendrick Lamar, Snoop Dogg, Lauryn Hill and Flying lotus. Washington also released a triple disc album titled “The Epic” that was 173 minutes worth of music released in 2015 on the Brainfeeder label. The title is well suited as the music is performed and recorded by a 10-piece jazz band, a 32-piece orchestra and a 20-person choir. It received great acclaim and fans and critiques were excited to hear jazz that was reminiscent of John Coltrane. Whilst Coltrane's playing and improvisation influenced Washington, he has developed his own style of jazz that is influenced by other genres such as Hip-Hop, Classical music and Gospel. 

Washington grew up in Los Angeles and many of his peers were into Gangster Rap, which Washington embraced as a teenager and brought the attitude of Gangster Rap into his style of Jazz music. He went on to study music at the prestigious Hamilton High School of music. Hailed as “the King of L.A Jazz” Washington has been touring in Australia as part of the Byron Bay Blues festival and has just played two sideshows in Melbourne and Sydney. 

The Sydney gig was at the Metro Theatre and the crowd was quite diverse ranging from older jazz heads to younger fans that probably heard of Washington through his collaborations with the various hip hop artists he has worked with. The opening act was Lewis Butle a DJ spinning classic jazz tracks from the 40’s and 50’s but he also dropped in a few more recent Hip-Hop and RnB tunes. By 9:30pm The crowd finally got to see the bigger than life figure of Kamasi Washington and his band take the stage to perform Jazz at an “epic” level, the musicians were all very accomplished and really put everything into their performance, the dual drummers gave the band the power of a steam train at full throttle 

Washington greeted the crowd with a few funny stories about how he met some of his band mates and the crowd responded well to his lighthearted humor. He then brought his father who is an accomplished flute player as a special guest to join his band on stage, and together they paid tribute to Malcolm X with a track called “Malcolm’s Theme” from the “The Epic” album. 

Washington's playing was really energetic at times blowing his saxophone furiously like a hurricane and other times he would play a calmer tune that was like listening to water streaming down the river to even out the performance. The set list of the night comprised of songs from his debut album “The Epic” but there were also a few new songs that the audience had not heard before, perhaps a teaser from Washington’s next studio offering or maybe he was testing out some new compositions. Either way the promise of another great album was evident throughout the night. 

Halfway through the gig Washington took a break from blowing his saxophone and gave the spotlight to his two drummers who both took their solo’s to the next level and showed the audience just what drummers are humanly capable of. The band featured female vocalist Patrice Quinn who also gave the music another dynamic and showed us that Jazz is as diverse as the people who make it. The audience left the venue with a good feeling, content that they had just witness a truly special band, and because jazz is normally more intimate played in small clubs and cafe's, to see a performance of this level on a much bigger stage like a rock concert was something to cherish for any fan of jazz or fusion music.

 

Two Veteran MC’s join forces for one special tour

Common + Talib Kweli at The Enmore Theatre 

09/05/2016

By Daniel Jaramillo

Common is no doubt a veteran MC and has had his fair share of battles with the likes of Ice Cube and Drake but he is also considered a conscientious hip hop artist which is why he has kept relevant in the rap game for so long and his acting career has elevated him to the status of a great artist.


Common played a headline show with friend and fellow rapper Talib Kweli at the Enmore Theatre on a Monday night. As the people started arriving at the theatre to see this stellar hip hop line up, the first act to jump on stage was Sarah Conner a young female Australian MC who got the crowd warmed up straight away. Only a quarter of the theatre was full but Conner was showing her talent to the early comers and the crowd was getting right into it. Her performance showed her confidence and what skills she had on the mic as she definitely owned the stage and got the crowd to participate in the music alongside DJ Platterpush. She also gave a passionate speech about the lockout laws and why it is a bigger issue that violates our civil rights rather that just our right to go out and drink where we want. This of course was leading to a new song about the issue from her upcoming album, for this Conner brought out some guests including vocalist Natalie Slade. The crowds reception was positive as MC Losty and MC Big Red Cap also came on stage during her show; Big Red Cap is originally from Brighton, England and reminded me of Dizzee Rascal and some of the other grime rappers from the U.K. By the end of Conner’s set the house was full and we were ready for Talib Kweli.


When Talib Kweli entered the stage there was a great crowd reception, the girl next to me was screaming out in utter fanaticism, his DJ showed off some of his turntable skills as Kweli played a bunch of old and new songs, some were crowd favourites others more obscure. As the crowd waved their hands side to side Kweli instructed the lighting guy to dim down the lights so we could all appreciate the sea of cigarette lighters and phone screens from his loving audience. This lead to a tribute to Prince as Kweli told the crowd to “keep on dancing” and “clap your hands to the beat”. Kweli also paid homage to Paul McCartney by playing Eleanor Rigby and proceed to rap over the song.


The fans of Blackstar (Kweli’s group with Mos Def) also got a chance to hear him perform Definition which he finished with an RIP to Phife Dawg (The late rapper of A Tribe Called Quest). Kweli also spoke to the crowd about standing up for oppressed people around the world and how race and class should not divide us. He closed his set with Get By, which is well known for its Nina Simone sample, the beat has a clapping rhythm that made the audience join in, the atmosphere was buzzing! It was now the time everyone had come for and it did not disappoint as Common came running on to the stage. His energy was there for all to see as he opened with “The People” a song that Common wrote about how he identifies with ordinary people like us. Backing him was his live band consisting of a drummer, keyboardist, DJ and Female vocalist, together they lifted the atmosphere to yet another level giving Commons music a special quality.


Common acknowledged his Sydney fans by saying that he loves coming to visit our city. In a career that has lasted over 20 years, he is still hungry and he told us that he is working on brand new music. He also mentioned his love for hip-hop culture and listed his entire album catalog, which certainly has a special place in my collection.
Commons music often touches on injustices particular towards African Americans. He specifically mentioned police murdering unarmed black youth and the disproportionate amount of black men and women being incarcerated by the criminal justice system in his home country, he encouraged us to stand up against racism here particularly towards Aboriginal people. But it was not all serious, he also picked a young girl from the front row, asked her up on stage and sat her down on a stool, handed her a towel so she could wipe of the sweat dripping down his face whilst the other women in the audience went crazy as he started to free style about the girl on stage and then performed his love song Come Close To Me.


Common proved that he can be a ladies man but also a man who reminds us that we all have the power to change the world and it starts by being kind to one another. Common invited Talib Kweli back on the stage to perform another Blackstar song titled Respirations taking us back to the first recording they ever did together. Of course a Common show wouldn’t be complete without a tribute to the late J Dilla who produced several of his classic songs including The Light, which concluded his set. The crowd was shouting for more and he came back for an encore and performed a tribute to Nas. Both Nas and Common have worked together in the past and it was an appropriate salute to another legendary rapper who also came out of the hip-hop scene of the early 90’s. As Common and his band said goodbye, we were left in a positive mood having witnessed a hip-hop artist who has kept the spirit of the music alive. Not only did Common give us an outstanding performance covering his entire music catalogue, he also gave us some important ideas to think about in our own lives.

Sleepmakeswaves Review

by Daniel Jaramillo

Instrumental rock bands have hardly ever caught the attention of mainstream media or have received any air time on commercial radio stations, in Sydney however there is an emerging scene of bands who love to play long pieces of music that take the listener on a journey. This music is heavily inspired by Progressive rock/metal and Post Punk bands. 

Sleepmakeswaves is at the forefront of this movement and are gaining more fans every time they announce a headline show or when they open up for bands like Opeth, Cog, Karnivool, Dead Letter Circus and Bosnian Rainbows.  They also have been nominated for an ARIA and have toured in Europe, Asia, UK and New Zealand. I was at their headline show in Sydney at the Metro Theatre and joining them was Tangled Thoughts of Leaving, The Contortionist, and Dumbsaint.

When you arrive at a concert you normally don’t see all the punters outside of the venue but when I arrived to the Metro Theatre I saw every one outside and I was later informed that a fire alarm had gone off in the venue making everyone exit the building. It only turned out to be a false alarm and after that ordeal everyone came back into the venue and were ready to see Sleepmakeswaves. When they came on stage a loud applause was heard and the band was ready to get the audience straight back into the show. They told the audience that they were happy to see everyone come back inside and that they would give us a 110% performance. That was exactly what they did from the opening song To You They Are Birds, To Me They Are Voices In the Forest and then with other standout tracks from their catalogue. Their stage presence was infectious and they made the crowd get right into their long instrumental passages. The audience did not need to start mosh pitting as they were simply standing or sitting, admiring the music.

Sleepmakeswaves create some amazing melodies and they mix in electronic soundscapes into the heavy rock riffs which makes the music sound contemporary and fresh. Their repertoire comprised of new and old songs and many of their fans could instantly recognize nearly every song they played. Dumbsaint was the other instrumental band of the night but Sleepmakeswaves deserved their spot as the headliner and although I only caught the end of Tangled Thoughts of Leaving they certainly were menacing and put a lot of effort into their performance.

Sleepmakeswaves is a band that is waving the flag for exciting new music in Australia that is authentic and sophisticated for an audience that listens to a wide range of bands.

At the Drive In Review by

Daniel Jaramillo

This year At the Drive In announced that they would be reforming the band and venturing on a new world tour. It was also stated on their website that they would be releasing new music this year. Fans of ATDI had been anticipating this tour since that band last performed together in 2000. In those 16 years a lot of music was put out by each of the individual members especially from Cedric Bixler-Zavala (Lead Singer) and Omar Rodriguez-Lopez (Lead Guitarist) who formed The Mars Volta and Antemasque. I was one the lucky pundits to get a ticket to ATDI’s sold out show in Sydney at the Enmore Theatre last Sunday.

As I arrived to the venue the place was already filled with fans who were ready to get the concert going. I was sitting from my seat at the back of the theatre and I could see fans right at the front getting close to the stage and preparing for what was going to be a great show.

The supporting band were Bad// Dreems a 4 piece band from Adelaide. There first few songs reminded of early punk music reminiscent of The Sex Pistols but with pop choruses. They got the crowd energised and created a buzzing atmosphere. Their set was short but only because their songs were short in timing. In my opinion they were an appropriate band to support ATDI but I wouldn’t be interested in a seeing them headline a show.

The moment came when the lights went out and ATDI came on stage to a loud applause. They got their set underway with Arcarsenal the opening song to their classic album Relationship of Command, even today it is still regarded as one of the top post-punk/hard-core releases of the last 20 years. The full set list comprised of songs mainly from Relationship of Command with a few songs from previous album In Casino Out.

Cedric dived into the audience in more than one occasion, crowd surfing and jumping around like he had flees in his pants. The light show behind them was also impressive but did not distract the audience from the music. The 5 piece band still can put on a rocking show with high energy and even Cedric who was having problems with his vocal chords as he discovered he had nodules in his throat (this subsequently made the band have to cancel their North American tour only a month before their visit to Australia) was singing like he was in his 20’s. Omar was also enjoying his himself but unlike the Mars Volta where he plays a much more lead role, his guitar playing becomes more about complimenting the whole band rather than playing long guitar solos.

The singer also gave a passionate speech about how in the early days of the band they were playing shows where no one new about them and how driven they were to keep their collective dream alive. He then went on to explain how for young people who have dreams of doing something they love are told by their parents that they need to have a backup plan is like having a fire inside your soul which your parents ignore and you go ahead and light houses on fire figuratively speaking. With that in mind it was a celebration of a band that has gone through hardships from members losing their lives to drugs to others leaving just before an 8 month tour took place and then reuniting again with most of the original members selling out shows all around the world. 

My Favorite Albums of 2016 so far!

The Gateway by Red Hot Chilli Peppers

The Gateway is a combination of Funky/Hip Hop jams to more melancholic rock ballads that resemble past songs of the R.H.C.P such as Scar Tissue and Under the Bridge. The album was produced by Danger Mouse and his input on this album is very apparent, I am a huge fan of this collaboration as it has delivered something special to listen to. Both Danger Mouse and R.H.C.P are not boxed into one genre easily and that's why the two camps coming together works perfectly.  

A Moon Shaped Pool by Radiohead

Radiohead is a band I am always excited to listen to new music from and this latest release is an exceptional listen. What makes A Moon Shaped Pool stand out in Radiohead's discography is the use of orchestral strings and arrangements - especially on the song Burn the Witch. There is definitely a resemblance to the Beatles Eleanor Rigby and Led Zeppelin's Kashmir as the music takes the listener into a mystical journey. 

Roots and Roads by Yossi Sassi

This is Yossi Sassi's 3rd solo album and 1st album after officially splitting with Orphaned Land. The album takes influence from the virtuoso guitar playing of Joe Satriani to traditional middle eastern folk music. Sassi is excellent in fusing his love of heavy metal with his Arabic heritage and Roots and Roads demonstrates this quite nicely. The guitar work on this album is of course world class and Sassi's guitar playing always leave me with joy and happiness. 

Magma - Gojira

The French progressive metal band return with a heavy dark atmospheric album that shows their aggressive edge as well as a esoteric side that hasn't been heard as much on some of their previous albums. The stand out song on Magma is Silvera a track that sings in the Chorus "Time to open your eyes to this genocide, when you change yourself you change the world". The band also put out some fantastic music videos for the song Lowlands and Silvera. 

Bottomless Pit - Death Grips

This album will surely offend you mum and will make you have a cold shower after listening to it. Death Grips are rebellious and don't give a fuck about critical acclaim or album sales however Bottomless Pit has well crafted songs that have accessibility. I would argue this album is what music without genres sounds like, it's philosophy is about being hybrid and not confirming to music trends by embracing originality. 

Vinyl Review by Daniel Jaramillo

The new HBO TV series “Vinyl” is bringing back the 70s and giving the audience an insight into the music industry of 1973 with some flashbacks of the 60s in New York that are part fiction and part reality.  This new period drama was created by “Martin Scorsese” and “Mick Jagger” and is already 6 episodes in with 4 more to run. As it is a long form television series the show is always finding new ways to show us what it must have been like to be the head of a record company and competing to sign artists who are either in their prime or who are just getting started. The main character is Richie Finestra played by Bobby Cannavale who is a record executive and runs American Century records. The label is struggling to keep afloat and their approach to resurrect the label is to sign new artists or sell the label to new owners. However, everything doesn’t go according to plan and he finds that he is no longer as powerful as he thought he was to begin with. He is also having trouble at home with his wife Devon Finestra played by Olivia Wilde a former actress/model who was part of Andy Warhol’s Factory. Richie is also being investigated by the F.B.I as Richie was involved in a murder of a Disc Jokey who had an argument with him over not playing any music from bands that were signed to American Century Records.

The other characters are Zak Yankovich played by Ray Romano who is head of promotions at American Century records, Juno Temple played by Jamie Vine an assistant and A&R at American Century Records and Kip Stevens played by James Jagger the son of Mick Jagger who is an English lead vocalist in a band called the “Nasty Bits” a fictional punk rock group from New York. Juno and Kip also start a relationship since Juno discovered the Nasty Bits and lets Richie know about them. Punk in the 70’s was still an unknown genre of music: The Sex Pistols did not even exist back then. However when they play an audition to Julian Silver played by “Max Casella” the head of A&R he realizes that they have no talent playing their instruments and gets them to cover the Kinks songs “You Really Got Me”.

There are a few reenactments of real artists from the 70s that make a one of episode appearance such as Robert Plant from Led Zeppelin, Alice Cooper, Lou Reed of the Velvet Underground and David Bowie. Richie is also trying to sign a funk artist but is outcompeted with the other major record labels. Another character is Lester Grimes played by “Ato Essandoh” who is a soul singer that Richie signs in the 60’s “which we see as a flashback” but Lester refuses to sign a contract with American Century and the mob comes to visit him and they break his wind pipe  and loses his singing voice forever. He then quits music but becomes the manager of the Nasty Bits as he wants them to get the best deal that works for them when American Century tries to sign them.

The series portrays the sleaziness of the music industry and how money plays a major role in all of it underpinnings. Richie is also a cocaine addict sniffing it up in every opportunity that he can. The 70’s in New York were a thriving time for the arts, the whole Andy Warhol movement to the rise of Punk and Hip Hop music. Vinyl however wants to show the audience more of the business side of the music industry rather than of the creative side. The series overall is very impressive in it’s aesthetics, showing what the 70’s looked like from the fashion to the lifestyle and it also does a good job in how people’s attitude’s were back then. The one flaw it has is referencing dates with regards to classic albums, the series takes a creative license in placing albums in certain time periods that are not accurate and it is very apparent to die-hard music fans of 70’s rock music. The characters are very unlikeable and this what we have come to except in Scorsese films and now on his television series. Vinyl will be airing a 2^nd series but in my opinion if it is going to be a success it will need to focus even more on the music than on the antics and drug habits of record executives.

Five musicians we have recently lost and who left us amazing legacies.

David Bowie:

David Bowie was 69 when he passed away but will be remembered forever. He was one of the great musical artists of the 20^th century, a performer who was not afraid to be himself which was the message he put forward to his generation. He inspired people who weren’t accepted in the mainstream such as the LGBT Community, his music was ground-breaking for its time because he was one of the first to really bring forth the concept album in Ziggystardust and be thought provoking and offending along the way.

Lemmy Kilmister:

Lemmy Kilmister the great frontman and bass player of Moterhead was a rock/heavy metal icon that liked to play music loud and heavy. He also lived the sex, drugs and rock n’ roll lifestyle like no other rock star could. He sold over 30 million records with Moterhead and his influence is quite paramount in the early development of heavy metal and other musicians like Dave Grohl, Lars Ulrich and Slash all payed respect to his inspiration.

Scott Weitland:

Frontman of Stone Temple Pilots, Weitland was one of the pioneer rock singers of the 90’s grunge era, his vocal delivery was angry and powerful and his lyrics dealt with some painful subjects such as betrayal. His output with S.T.P and other bands is an influential catalogue of music that has inspired younger generations to start bands and sing in an honest and raw way that he did.

Chris Squire:

The Legendary bass player of prog band Yes past away at the age of 67 and will be remembered as one of the great rock bass players of his era with the likes of John Paul Jones and John Entwistle. Squire’s bass playing was a fusion of styles complimenting the music whilst leading the band with fantastic improvisations. Contemporary bass players such as Les Claypool and Squarepusher cited Squire as an influence. He was the only musician in Yes to play on all of their albums and if you really want to listen to what he could achieve on bass I would recommend the songs The Fish and Heart of the Sunrise.

BB King:

The Iconic blues guitarist, singer and songwriter was one the great musicians to really push guitar playing to new heights. Guitarist like Eric Clapton and Jimi Hendrix owe a lot to the way BB King crafted his style. Along with Muddy Waters and John Lee Hooker BB King planted the seed for what great bands like the Rolling Stones and Led Zeppelin were to become. King played music for 6 decades and his passing was a reminder of how important the blues was to American music.